There are moments where the dialogue actually borders on the witty and which indicate that, yes, this is all going to go so very far over the top but not just for the sake of shock value. Some scenes show a clever, albeit very twisted, sense of black humor to them. In and amongst all of this insanely depraved behavior, however, the film has some characteristics that are likely going to go unnoticed. As such, essentially the film shows us the glitzy side of all of this and then rubs or nose in the nastier side.
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This is then later contrasted with the orphanage where the ‘movie' is shot and where the film really kicks things into high gear as far as its disturbing and frequently very explicit content is concerned. His dwelling is modest, his home clean but not fancy, which contrasts with Vukmir's place, a veritable palace complete with a gorgeous assistant running around doing his bidding. Milos home life seems balanced and aside from a bout of rough sex that he has with his wife (who insists she ‘fuck' her rather than ‘love' her after watching one of his old movies where he's doing just that to a female co-star) there's not much to indicate that he's capable of what he's later put through. Made on a low budget and without any computer generated effects at all, the film has a believably seedy atmosphere that makes for some interesting contrasts.
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As such, this movie intentionally pushes the envelope and breaks down quite a few boundaries often considered taboo by even the most ardent and adventurous of moviegoers and much of which will probably go over the heads of most western audiences who will have trouble looking past the very sexualized violence and depravity laid bare before the lens. As such, the character of Milos is literally and figuratively getting fucked not just by the people he has sex with in the movie but by the people who are pulling the strings behind the scenes in very much the same way the writers are claiming those trying to make artistic films in their homeland are getting fucked by the mainstream cinema institutions who try to eliminate the market for such things. The intent with the picture was to take their own problems as filmmakers and as Serbians and channel them into a stylish and slick horror picture that would reflect their frustrations and provide some food for thought in the form of a few different and very confrontational metaphors. Of course, it turns out that Vukmir is making an all together different kind of adult movie, one concerned as much with death as it is with sex.Īccording to an interview that Srdjan Spasojevic and his co-writer, Aleksandar Radivojevic, gave to the horror website Bloody Disgusting the ideas for this film came from spending the last two decades in Serbia where not only has the country been in turmoil, but so has the film scene. He talks it over with Marija and even discusses it with his cop brother, Marco (Slobodan Bestic) who can't turn up any dirt on the director, and agrees to take the job. Of course he wants him for his latest picture and is willing to pay him a ridiculous amount of money for it. It turns out Vukmir is a big fan of Milos and considers him an artist. He agrees and she tells him about Vukmir (Sergej Trifunovic), the latest and greatest ‘art porn' director out to change the industry. No one is really too surprised when Milos gets a call from a former co-worker the next day asking him to come and meet her about a job. He says not but admits he misses the money, as they aren't exactly rolling in cash these days.
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As Milos and Marija settle down for the night, she asks him if he misses his old job. It turns out Milos is a former porn star, one of the biggest male performers in the industry at one time, though he's recently retired from that business and settled down with his beautiful wife Marija (Jelena Gavrilovic).
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They walk in on him and while he's too young to really understand what he's seeing, he's perceptive enough to know that he's watching his father, Milos (Srdjan Todorovic), on the screen. When the film begins, a young boy named Petar (played by an uncredited child actor) is watching a porno movie without his parents realizing.
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The film is strong stuff to be sure, but is it without merit? Unearthed Films brings it back into print in North America, in its completely uncut form. Not only did a German film lab refuse to print the movie, but it's been banned in Norway, heavily cut in the UK and released cut and then later banned entirely in Australia. Directed by Srdjan Spasojevic in 2010, A Serbian Film has been the subject of no small amount of controversy when it played a few festival dates and was released on DVD and Blu-ray in some European territories.